Showing posts with label Textile Works. Show all posts
Showing posts with label Textile Works. Show all posts

Monday, July 29, 2013

Investigation into Drawing Part 2 (2013).


Selected works from the series
'Investigation into Drawing Part 2' 2013.
(Four of a seven part series)

My most recent series, 'Investigation into Drawing Part 2',
is part of an ongoing investigation into exploring what is 'drawing', 
specifically drawing which 
is a kind of wandering into a land of the unknown. 
Drawing which is intuitive and free, 
and is created through a collaboration 
between nature and self.

Each piece begins with a silk organza disc, 
and is drawn in collaboration with 
various plant materials, time & ink.

Sunday, May 12, 2013

Investigation into Drawing (2013. Work in progress)


Investigation into Drawing (2013. Part 1) Work in progress

Another piece from one of my latest works.
Chamomile & berry dyed silk organza layers,
with ink drawing.

An investigation & exploration into unplanned, repetitive & intuitive drawing.

To stay more up to date with what's happening in my studio

Friday, May 10, 2013

Investigation into Drawing (2013. Part 1)


Investigation into Drawing (2013. Part 1)

A piece from one of my latest works.
Chamomile & rosehip steam bundled silk organza, 
with ink drawings.

An investigation & exploration into unplanned, repetitive and intuitive drawing. 



Saturday, April 6, 2013

Steam.


A little Saturday morning dye job.
Chamomile flowers & red onion skins & black tea 
Rosehip, brown onion, & red petals,
Silks, nettle, cotton, linen & bamboo.
All bundled together over a fire,
steaming away.




Thursday, November 1, 2012

The Story of the Little Girl Who Could Capture (Pt 2).


Once upon a time in a land  
 where things were always threatening to fall through the cracks, there lived a young girl.
She was forever trying to capture things, to store them away.

A moment, a memory, a heartbeat, a smell.

She wanted to bottle them up, and save them for a rainy day, 
when she could let them seep back into her and fill her with life.

She would store them in empty jam jars on the windowsill in the sunlight of the day           
 and the moonlight of the night.

But alas, things were forever slipping through the cracks, or floating away,  
 to live in the clouds of mystery forever.

Until one day she found a way.

***

They may appear decayed and discoloured, 
but they are far from vacant. 
 Listen to them carefully 
because they have an abundance of stories to whisper to you if you so allow it.



All cloth is eco-dyed. Dye matter varies (Eucalypt, various berries, rust, rosehip tea leaves, chamomile flowers, geraniums, the list goes on). Cloth morsels vary (silk velvet, silk chiffon, silk dupion, cotton damask). Not all pieces shown - these are only a handful.

And I present to you my most recent textiles work for uni.
Sometimes it is hard to translate from cloth to written language. I don't think that everything in this world is meant to be filtered into writing, sometimes it exists within its own language. This work celebrated that element of textiles - the ability for textiles and cloth to tell stories. They capture and store marks, stains, scents by way of touch, of spillages, of being worn. In turn they come to be recorders of histories, stories, moments, places & things absorbing residues and essences. It is the cloth fullest of life that begins to break down and disintegrate. 


The work is also based in the excitement, curiosity and wonder at unearthing a hidden treasure. What awaits them in the box? What are their stories? Who has held them? Where have they been? Whose residues do they hold? What have they seen?

Sunday, October 28, 2012

The Story of the Little Girl Who Could Capture.


This is the reason for my tad MIA-ness as of late.
My latest textile work was based within the idea of discovering hidden treasures amongst the rubble, 
and the stories that can be found within objects and surfaces, 
the histories that they hold.

More shots to come.

Friday, August 31, 2012

(Of) (For) The Desert(ed)


(Of) (For) The Desert(ed) is a work I made last year for a textiles elective.
It is dedicated to those 
who continue to wander and wonder.
Drawing on dust, dirt and rust,
roadside motels,
Zabriskie Point and R.H.C.P's Californication,
my dream of a cross-the-heartlands-of-America roadtrip , 
and above all
the desert, and the deserted.

Made from rust, onion, black tea, coffee, rosehip tea, eucalyptus and berry dyed silk and cotton, with hand and machine stitch, 
and jute twine.